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  • Empirical Labs EL8-X Distressor with British Mode and Image Link

Empirical Labs EL8-X Distressor with British Mode and Image Link

$38.35 $70.18
Empirical Labs EL8-X Overview An automatic gain control device for professional audio (music) applications is the Empirical Labs EL8X Distressor. The Empirical Labs EL8X Distressor adds richness, intelligibility, and, in the case of the Distressor, excitement by electronically adjusting the volume of almost any source in a highly attractive and “musical” way. The term “compressor” or “limiter” is frequently used by those in the audio industry to describe such a device. Recording studios, live sound settings, film sound production, and radio broadcast production are its most likely applications. The Distressor is a digitally controlled audio device that, in contrast to the majority of analog compressors and limiters, actually combines multiple products into one by using digital controls to switch completely distinct circuits in and off. It is nearly impossible to get a poor sound, even though there are 384 possible settings (not counting knob adjustments). You won’t go wrong if you keep the ratio at 6:1 and all of the knobs in the middle at 5 or 6. Aside from a broad range of control and unique features, the Distressor produces a warm, vintage sound with a custom-designed gain control circuit. This “warmth” or vintage sound has been a major concern in the last 15 years, as highly clear and linear digital technology does little to soften “harsh” sounds or highlight bottom frequencies in music sources. Older analog tape, vinyl records, and tube equipment, on the other hand, could not be stopped from colorizing the sound, much to the chagrin of recording engineers. However, many individuals have discovered that this coloration may be incredibly pleasant and “musical.” Using British Mode Place the unit in a 1:1 ratio and activate the British Mode Switch (flip it up, and the LED should illuminate). That enables it. To sound like the 1176, the sole restraint is to keep the assault on the Distressors under 4; their attack can last considerably longer than the 1176’s. Now you will see that the unit has a new attitude! The assault and release will be more vigorous, and the unit will move in and out of the path rapidly. Surprisingly, the unit will appear slightly less colorful when not compressed. Use this ratio to “skim” peaks. This implies that while it may not be doing anything most of the time, when it does “hit” the signal, it will seamlessly push it back and then move out of the way. If you constantly use the gain reduction function with the British mode on, you will be effectively “squashing” the signal. The Distressor, on the other hand, will sound very faint when compressed continuously in 2:1 mode, especially with a slower attack (>6). The Distressor The Empirical Labs Distressor is a one-of-a-kind analog compressor that lets you apply 2nd- or 3rd-order harmonic distortion to your signal, replicating tape saturation and the classic tube compressor sound of the 1960s and 1970s. The Distressor also has powerful sidechain EQ, eight distinct curves, and Empirical Labs’ distinctive “Binary Stepped Interface,” which provides hundreds of choices with only a few control settings. Empirical Labs Distressor EL-8XM Single-channel Analog Compressor with British Mode Features:  “All buttons in British mode switch with the LED.  Clean audio mode provides a frequency response of 2 Hz to 160 kHz ( 0, -3 dB). The response is formed in distortion modes (Dist 2, Dist 3).  In 1:1 mode, the dynamic range is 110 dB between maximum and minimum output.  Distortion ranges from 0.02% to 20% based on distortion mode and release timings selected on the front panel.  DC-linked output with high-quality input caps.  Input impedance: 20K ohms.  Output impedance is less than 75 ohms.  Time constants: Attack range: 50 µs-50 ms.  Normal modes have a release range of.05 to 3.5 seconds, whereas 10:1 opto mode allows for up to 20 seconds. Time constants are ratio-dependent.  Metal chassis.
Signal Processing

Signal Processing

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