Fluid Audio Image 212S Overview Vibration is canceled at the source. The Vi-bracer (TM) binds opposing LF motors with outward pressure, preventing reaction forces from reaching the cabinet. As a result, the bass is pure and colorless. Sealed, musical low end. Dual drivers in a sealed enclosure produce quick transients and a tight punch that transfers between rooms and systems. Accurate alignment controls With variable crossover, phase, and gain, you can easily connect with your mains and room without guessing. Efficient integration Analog XLR/TRS, AES/EBU, and LFE inputs are included, as well as a tiny cabinet that fits neatly next to walls or under a desk. Tight, quick, and controlled. The Image 212S expands your monitoring chain with bass that remains articulate at all levels. The sealed cabinet design eliminates port noise and overhang, allowing you to hear transients precisely as recorded. Dual opposing drivers balance off reactive forces within the enclosure, keeping the cabinet stable and distortion minimal. As a consequence, the low end is consistent between tiny edit suites and bigger control rooms. Why is dual opposed? Two 12″ woofers set in a force-canceling arrangement deliver deep extension without the boom. Mechanically balancing the drivers reduces vibrations while increasing sonic output. This allows the 212S to produce strong bass frequencies while keeping the middle free of masking and buildup. Designed for stereo and immersive. Modern productions require more than one full-range speaker pair. With immersive formats like Dolby Atmos, Sony 360, and other multichannel configurations becoming more common, precise subwoofers are critical. The 212S is intended to operate smoothly with both stereo rigs and multi-sub arrays, making it simple to expand your monitoring as your workflow evolves. seamless integration Setup is simple: adjust the crossover, phase, and gain to line the sub with your monitors and surroundings. The wide tuning range provides compatibility with a wide range of mains, from little nearfields to massive midfield systems. Auto standby reduces power consumption between sessions, and powerful protective circuits assure long-term durability. Designed for actual studios. Every choice in the 212S is based on precision and repeatability. A sealed cabinet enables linear performance and smoother roll-off in untreated spaces. The twin opposed configuration lowers mechanical resonance, resulting in better clarity at greater SPL. With 1000 W RMS of clean power, the 212S has enough headroom to handle demanding program material without strain. Confident in the low end Whether you’re mixing bass-heavy music, balancing conversation with effects, or providing immersive stems, the Image 212S offers you the confidence to believe what you hear. It grounds your monitoring system with accurate, melodious low frequencies, allowing for better judgments and consistent results across playback systems. Compact cabinet for convenient installation. The sealed alignment rolls off gently, decreasing boundary “boom” and making integration more predictable in compact spaces. Reduced interaction near walls. Smoother LF mix with mains. Positioning options include beneath the desk or against a wall. Massive power reserves At standard settings, each system has two 500 W RMS amplifiers (a total of 2000 W peak power). High headroom and minimal distortion. Based on rapid transients. Demonstrated confidence in mixing and quality control. Vi-bracer (TM) Technology: vibration is eliminated at the source. A stiff internal pole connects opposing 12-inch motors, applying outward pressure to negate reaction forces before they reach the cabinet. Vibrations do not develop, resonance is reduced, and bass remains deep, quick, and uncolored for smooth system integration. A dual-amplified subwoofer system. Maximum SPL is 120 dB (1 m). Frequency response: 29 Hz to 110 Hz (-3 dB). Two 12″ reinforced paper cone woofers. ±9 mm linear excursion. Vi-bracer (TM). The amplifier power is 1000 W RMS (2000 W peak). Variable crossover range: 40-200 Hz. Variable phase range: 0 to 180 degrees. Inputs include analog XLR/TRS, digital AES/EBU, and LFE XLR. Outputs include analog XLR/TRS, digital AES/EBU, and LFE XLR.
