$66.04
$122.83
Authentic Neve 2-channel 1073 preamp/ADC for the Modern Studio. The Neve 1073 channel amplifier, coveted by renowned engineers and producers since its release in 1970, is the Holy Grail of characterful microphone preamplification. The 1073 mic/line input module established the punchy, authoritative sound of the iconic Neve 80-series consoles, which dominated professional recording studios during the Golden Age of Analogue. The AMS Neve 1073DPD 2-channel Mic/Line Preamp/ADC rackmount equipment allows you to recreate this famous sound in your studio today. 1073, which is hardwired according to the original vintage design and upgraded to fit the needs of current workflows, provides you with a broad tone palette for generating ambitious musical statements. Ultimate Analogue, cutting-edge Digital The 1073DPD has two iconic Neve 1073 mic preamplifiers as well as immaculate professional analog-to-digital converters, allowing you to record a performance in any format you desire. In addition to Neve’s typical Class A analog outputs, the 1073DPD provides digital choices for all common PCM sampling speeds up to 192 kHz. One distinguishing characteristic of the 1073DPD is Neve’s patented DSD output, which has analogue insert points upstream of the ADCs. As a result, the 1073DPD combines the best of analog circuitry with cutting-edge digital conversion, making it an ideal front end for your cutting-edge DAW-powered recording studio. The iconic, authoritative “big iron” sound Since the 1970s, the Neve 1073 has been a popular mic preamp and equalizer due to its unique sound and adaptability. With an impressive 80dB gain, it can handle even the lowest-output passive ribbon microphones on silent sources. AMS Neve, an R&D-driven firm, continues to improve its classic designs to meet the performance needs of hybrid analog-digital workloads. Rupert Neve is synonymous with bespoke transformer-balanced Class A circuitry, and their cutting-edge Neve Marinair specification transformers are found on the input and output stages of the 1073DPD. These transformers provide wide, linear bandwidth while preserving audiophile quality, resulting in a rich, full-bodied sound with strong lows and airy highs. A brief overview of the 1073DPD 2-channel Mic/Line Preamp: Line/mic level control with 80dB boost on tap. The Hi-/Lo-Z switch adjusts the impedance of the transformer-coupled input stage between 1200Ω (hi-Z) and 300Ω. The 48V button provides 48V phantom power to the XLR microphone inputs. Phase button for reverse polarity (180° phase) and pre-line output. Trim control ( /-10dB) for transformer-balanced Class A output stage. The peak LED shines 3-4dB below clipping. Switch between 44.1 kHz PCM, 48 kHz PCM, and DSD formats. Sample Rate switch: choose between 48 kHz, 96 kHz, or 192 kHz. The 1/4-inch jack serves as a switched insert for the ADC input. The female XLR connector receives a typical AES 110Ω input signal for word clock synchronization. Male XLRs on 1/L and 2/R provide typical AES 110Ω digital audio outputs. WCLK In: BNC input for TTL-level word clock signal; input impedance may be changed to 75Ω using the adjacent DIP switch. BNC 75Ω produces a TTL-level word clock signal at the sampling frequency, buffered from the ADC sync source. DSD L and R: BNC 75Ω produces TTL-level DSD signals. The 75R On/Off DIP switch chooses a 75Ω input impedance for WCLK In. The SDIF 2/3 DIP switch specifies the DSD output format (SDIF2, data alone; SDIF3, data with integrated clock). Military-grade build quality. The 1073DPD 2-channel Mic/Line Preamp, adorned in iconic RAF blue-gray colors, offers a unique user experience with its solid build quality, including rotary switches, sturdy metalwork, and internal handwiring. Its user-friendly feel is reminiscent of vintage Neve equipment, made with mil-spec components and materials. The 1073DPD’s sonics and fling of pots make it a pleasure to use, proving that professional audio equipment was built in the past, and AMS Neve continues to do so. The legend continues. The name Neve commands respect. Rupert Neve began inventing audio equipment during the tube console period but gained his name with solid-state systems. Setting up shop in Little Shelford in the 1960s, Mr. Neve encountered several challenges in developing his brand amidst a changing technical world. Transistors were new, costly, and difficult to procure in large quantities in the UK. Reliable faders did not exist at the time, which is in stark contrast to today’s environment, when parts are inexpensive and widely accessible from various vendors vying for bids. Nevertheless, Rupert persevered. By the early 1970s, the Neve firm was thriving, accepting orders and manufacturing bespoke transformer-balanced consoles for recording and broadcast facilities all over the world. The Neve 80-series consoles produced a massive, powerful, and authoritative sound that characterized the sound of 1970s rock. From London to New York to Los Angeles and beyond, leading studios were adding Neve workstations as quickly as possible. By 1978, with the release of the magnificent 8078 — the apex of hand-wired analog “production” consoles — and the NECAM automation system, Neve boards had become a critical component of any recording studio’s success formula. In the decades following, AMS Neve has pioneered new products such as the VR, VX, and 88R series consoles. Today, the firm continues to push the envelope with cutting-edge pro audio gear that sounds fantastic while intelligently addressing the difficulties of the digital era. AMS Neve 1073DPD 2-channel Mic/Line Preamplifier/ADC Specifications: Uses proprietary Neve Marinair transformers on input and output stages. Handcrafted and wired to the original 1970s design specifications. Both inputs are transformer-balanced and earth-free. Adjust the microphone input gain from 80dB to 20dB in 5dB increments. Line input impedance is 10k ohms, with a gain range of 20dB to -10dB in 5dB increments. Dedicated input. Gain Controls and Output Trim adjustments for both channels. Designed and built in England by AMS Neve engineers.
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